The recording studio has a live sound space available for instrument and vocal recording. The recording studio is open from early Spring through to late Autumn and the studio has production capacity for around 100 projects per year. Conditions are best described as rustic. There is adequate room for musical groups of every size and scale: from emsembles, to bands, to full orchestras.
The former farm has plenty of large spaces with high ceilings and plain unfinished masonry surfaces. The sonic quality of the resulting recordings is excellent and the ambience is lively. Sound capture is via a 16 channel console, 24 bits, 96 kHz. DAW/Production environment is Apple - Logic Pro/GarageBand. Daily rates are available on request.
Red Light Studio has a drummer-for-hire service; competent, house-trained, and a dynamic range of whisper-quiet to hurricane-loud.
The studio is frequently used for track augmentation. If your rhythm track sucks balls and you want something altogether more alive, punchy, and dramatic, then Red Light Studio is exactly what you seek.
Music knows no borders, bounds, or limits. Projects running through Red Light have featured artists and players from all around the globe, in many styles, including hip-hop, jazz, rock, classical, pop, latin, electronic, and funk. A few bands keep returning for more (crazy people!) and they deserve their own special mention.
A wild mix of elements, but in a single word: fearless. Their tracks are either extraordinarily popular or else they're totally unloved. In the humble view of the studio cleaner, such opposing reactions from the general listening public are a reliable indication of greatness.
Very loud and very proud. They can write songs that have 'hit' written right the way through in 72pt Helvetica.
Bands are a lot like rockets. Under full power, some will crash in a fireball or flex their frames and oscillate wildly, terrifying both observers and occupants. Others, like The Brothers, will hit max Q with perfect poise and control.
Japanese-Franco rhythm section, American producer, and Italian sax. Very popular in certain regions of North America. A good 50% of the band's internal communication uses GIFs.